Process Work: Intersections of Photography and Print ca. 1825 to Today

The exhibition explores the development of photographic printmaking processes and traces its historical legacy into the present day. Starting around 1825, a widespread interest in reproducing visual information faster and more cheaply fueled an explosion of experimentation in photographic printmaking techniques, with wide-ranging effects across visual culture and the fine arts. This exhibition highlights those early experiments and innovations, as well as the culture of mass-market illustration and printed media into which they first unfolded. Across a presentation of over 40 historic and contemporary photogravures, collotypes, photolithographs and relief prints, this exhibition poses the question: What are the social, aesthetic, and technological possibilities that emerge from the marriage between photography and print, both then and now?

Curated by Sarah Mirseyedi, Andrew W. Mellon Fellow for Prints, Drawings, and Photographs.