Print Sans Fine


About

Print Sans is a contemporary sans-serif shaped by the same calligraphic logic that defines the Print Collection. Drawn alongside its serif and script counterparts, Print Sans translates the contrast, proportions, and rhythm of Print into a clean, confident sans, balancing warmth with precision.

The family spans a full weight range from Hairline to Black and features an optical size axis that shifts the typeface from low to high contrast. This axis produces three subfamilies: Print Sans, Print Sans Text, and Print Sans Fine. Print Sans is the lowest-contrast, most utilitarian expression of the family; Print Sans Text introduces moderate contrast for extended reading; and Print Sans Fine pushes contrast to its highest point, lending the sans a more refined, display-oriented character.

As the sans-serif counterpart to Print, Print Sans shares proportions, weight structure, and overall rhythm with its serif sibling, allowing the two to pair seamlessly across layouts. It is also part of the same collection as Print Script, providing a grounded, understated counterpoint to the script’s expressive forms. Together, the three families offer a cohesive system that moves fluidly between structure and ornament.

Designed to perform across scales and contexts, Print Sans is equally suited to editorial design, branding, and identity systems. Like all Faire Type releases, it is available as a variable font for maximum flexibility and precision, and supports 93 languages, including Vietnamese.


Styles

Hairline
 Italic
Thin
 Italic
Light
 Italic
Regular
 Italic
Medium
 Italic
Bold
 Italic
Black
 Italic

Weight
Optical Size
Slant
  • Print Sans Fine Variable
  • Weight 400
  • Optical Size 100
  • Slant 0
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Variable fonts are a modern type of font file that contain more than one style of a font. For example, Sprig Variable has a weight axis and contains all weights of the font ranging from hairline to super. So instead of having 8 files, a variable font allows you to have just one. In addition to reducing files and file size (which is great for the web ♥) variable fonts provide tons of amazing animation opportunities, and allow you to get super precise. In Sprig Variable you’re not limited to the weights we define, if you need something heavier than regular but lighter than medium, a variable font allows you to get it just right for your project.

Print Sans Fine Hairline
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Thin
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Light
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Regular
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Medium
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Bold
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Black
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Hairline Italic
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Thin Italic
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Light Italic
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Regular Italic
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Medium Italic
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Bold Italic
150px
Weight
Optical Size
Slant
Size

Print Sans Fine Black Italic
150px
Weight
Optical Size
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Size

Print Sans Fine Light
48px
Weight
Optical Size
Slant
Size
Copperplate là kiểu thư pháp chủ yếu dựa trên kiểu Roundhand của Anh. Mặc dù nó thường được dùng làm thuật ngữ chung cho nhiều loại thư pháp viết bằng bút máy chấm mực, kiểu chữ Copperplate được đề cập chính xác nhất đến các kiểu chữ viết trình bày trong vở tập viết được làm bằng cách in khắc lõm.

Print Sans Fine Light
140px
Weight
Optical Size
Slant
Size
Sonia Delaunay-Terk, PRISMES ÉLECTRIQUES, 1913
Oil on canvas 56 × 47 cm (22.05 × 18.5 in.)

Print Sans Fine Black
340px
Weight
Optical Size
Slant
Size
INTAGLIO

Print Sans Fine Regular Italic
76px
Weight
Optical Size
Slant
Size
As the 19th century closed and photography became popular, many lithographic firms went out of business. Photoengraving, a process that used halftone technology instead of illustration, became the primary aesthetic of the era.

Print Sans Fine Light
38px
Weight
Optical Size
Slant
Size
Many printers, including Ira Washington Rubel of New Jersey, were using the low-cost lithograph process to produce copies of photographs and books. Rubel discovered in 1901—by forgetting to load a sheet—that printing from the rubber roller, instead of the metal, made the printed page clearer and sharper. After further refinement, the Potter Press printing Company in New York produced a press in 1903. By 1907 the Rubel offset press was in use in San Francisco.

Print Sans Fine Thin Italic
286px
Weight
Optical Size
Slant
Size
Henri Matisse

Glyphs

Basic Latin

Extended Latin

Ligatures and Alternates

Punctuation

Case Sensitive Glyphs

Numerals, Superior, Inferior, Fractions

Currency, Symbols, Math, Arrows

Tabular Figures

Emojis


FAIRE Print Sans Fine Emojis

Print


Print Colophon


Design
Sabrina Nacmias

Engineering
Sabrina Nacmias

Vietnamese Support
Rosie Mai

Release
2025

Version
1.0

File Types
.OTF, .TTF, .WOFF2

Supported Languages


Albanian
Asu
Basque
Bemba
Bena
Breton
Catalan
Chiga
Colognian
Cornish
Croatian
Czech
Danish
Dutch
English
Estonian
Faroese
Filipino
Finnish
French
Friulian
Galician
Ganda
German
Gusii
Hungarian
Inari Sami
Indonesian
Irish
Italian
Jola-Fonyi
Kabuverdianu
Kalenjin
Kinyarwanda
Koyra ChiiniLatvian
Koyraboro Senni
Lithuanian
Lower Sorbian
Luo
Luxembourgish
Luyia
Machame
Makhuwa-Meetto
Makonde
Malagasy
Maltese
Manx
Marshallese
Moldavian
Morisyen
North Ndebele
Northern Sami
Norwegian Bokmål
Norwegian Nynorsk
Nyankole
Oromo
Polish
Portuguese
Quechua
Romanian
Romansh
Rombo
Rundi
Rwa
Samburu
Sango
Sangu
Scottish Gaelic
Sena
Serbian
Shambala
Shona
Slovak
Soga
Somali
Spanish
Swahili
Swedish
Swiss German
Taita
Tasawaq
Teso
Turkish
Upper Sorbian
Uzbek (Latin)
Vietnamese
Volapük
Vunjo
Walser
Welsh
Western Frisian
Zarma
Zulu