Luma Sans


About

Luma Sans is a geometric sans-serif typeface characterized by its round, balanced letterforms and ever-so-slightly wide proportions. The expressive capital letters and round circular shapes throughout give the typeface a friendly and approachable demeanor.

Part of our Luma Collection, Luma Sans was designed alongside Luma, a serif typeface balancing the juxtaposition of technical and organic forms. The two typefaces share proportions and a love for unexpected details. Thanks to their common skeleton, both typefaces pair harmoniously in any configuration.

Drawn digitally with a rigorous attention to every detail, the type shines in all sizes and the wide range of weights allow for a wide breadth of expression without leaving the family. All Faire Type typefaces are available as variable fonts, for maximum flexibility and precision typesetting.


Styles

Hairline
 Italic
Thin
 Italic
Light
 Italic
Regular
 Italic
Medium
 Italic
Bold
 Italic
Black
 Italic
Super
 Italic

Weight
Slant
  • Luma Sans Variable
  • Weight 400
  • Slant 0
×
Variable fonts are a modern type of font file that contain more than one style of a font. For example, Sprig Variable has a weight axis and contains all weights of the font ranging from hairline to super. So instead of having 8 files, a variable font allows you to have just one. In addition to reducing files and file size (which is great for the web ♥) variable fonts provide tons of amazing animation opportunities, and allow you to get super precise. In Sprig Variable you’re not limited to the weights we define, if you need something heavier than regular but lighter than medium, a variable font allows you to get it just right for your project.

Luma Sans Hairline
150px
Weight
Slant
Size

Luma Sans Thin
150px
Weight
Slant
Size

Luma Sans Light
150px
Weight
Slant
Size

Luma Sans Regular
150px
Weight
Slant
Size

Luma Sans Medium
150px
Weight
Slant
Size

Luma Sans Bold
150px
Weight
Slant
Size

Luma Sans Black
150px
Weight
Slant
Size

Luma Sans Super
150px
Weight
Slant
Size

Luma Sans Hairline Italic
150px
Weight
Slant
Size

Luma Sans Thin Italic
150px
Weight
Slant
Size

Luma Sans Light Italic
150px
Weight
Slant
Size

Luma Sans Regular Italic
150px
Weight
Slant
Size

Luma Sans Medium Italic
150px
Weight
Slant
Size

Luma Sans Bold Italic
150px
Weight
Slant
Size

Luma Sans Black Italic
150px
Weight
Slant
Size

Luma Sans Super Italic
150px
Weight
Slant
Size

Luma Sans Regular
24px
Weight
Slant
Size

In the Galapagos Archipelago almost every product of the land and water bears the unmistakable stamp of the American continent. There are twenty-six land birds, and twenty-five of these are ranked by Mr. Gould as distinct species, supposed to have been created here; yet the close affinity of most of these birds to American species in every character, in their habits, gestures, and tones of voice, was manifest. The naturalist, looking at the inhabitants of these volcanic islands in the Pacific, distant several hundred miles from the continent, yet feels that he is standing on American land. Why should this be so? Why should the species which are supposed to have been created in the Galapagos Archipelago, and nowhere else, bear so plain a stamp of affinity to those created in America? There is nothing in the conditions of life, in the geological nature of the islands, in their height or climate, or in the proportions in which the several classes are associated together, which resembles closely the conditions of the South American coast: In fact there is a considerable dissimilarity in all these respects. On the other hand, there is a considerable degree of resemblance in the volcanic nature of the soil, in climate, height, and size of the islands, between the Galapagos and Cape de Verde Archipelagos: But what an entire and absolute difference in their inhabitants! The inhabitants of the Cape de Verde Islands are related to those of Africa, like those of the Galapagos to America. I believe this grand fact can receive no sort of explanation on the ordinary view of independent creation; whereas on the view here maintained, it is obvious that the Galapagos Islands would be likely to receive colonists, whether by occasional means of transport or by formerly continuous land, from America; and the Cape de Verde Islands from Africa; and that such colonists would be liable to modification — the principle of inheritance still betraying their original birthplace.


Luma Sans Regular
18px
Weight
Slant
Size
Les pinsons de Darwin (connus aussi sous le nom de pinsons des Galápagos) sont 13 ou 14 espèces apparentées dont Charles Darwin a recueilli des spécimens en recensant la faune sur les îles Galápagos durant son voyage sur l’HMS Beagle. Treize espèces résident sur les îles Galápagos et une sur les îles Cocos. Ces oiseaux sont tous de la même taille : de 10 à 20 cm. Les plus importantes différences entre ces espèces se trouvent dans la taille et la forme du bec. Ces variations s’expliquent par les pratiques alimentaires propres à chaque espèce. Les oiseaux sont tous bruns ou noirs. Leurs comportements sont différents, tout comme leurs chants. Bien que ces oiseaux aient joué un grand rôle dans la conception de la théorie darwinienne de l’évolution par la sélection naturelle, Darwin, durant son voyage autour du monde à bord de l’HMS Beagle, n’avait pas conscience de leur importance. On suppose souvent que c’est la découverte de ces oiseaux dans l’archipel des Galápagos qui inspira la théorie de l’évolution à Darwin, mais ce n’est pas tout à fait exact : ce n’est qu’à son retour, et à la suite de nombreux échanges scientifiques, que Darwin s’aperçut de l’intérêt que présentent ces multiples espèces d’oiseaux pour comprendre les phénomènes de spéciation et d’évolution par sélection naturelle. L’expression pinsons de Darwin est d’abord apparue en 1936, mais elle fut véritablement popularisée en 1947 à travers les écrits de David Lack. À son retour en Angleterre, Darwin, qui n’est pas un expert sur le sujet, présente les pinsons capturés aux Galápagos durant la réunion du 4 janvier 1837 de la Geological Society of London, parmi d’autres spécimens de vertébrés récoltés durant ce même voyage. C’est John Gould (1804-1881), célèbre ornithologue de la Zoological Society of London, qui se charge de l’identification et de la classification des spécimens rapportés par Darwin.

Glyphs

Basic Latin

Extended Latin

Ligatures and Alternates

Punctuation

Case Sensitive Glyphs

Numerals, Superior, Inferior, Fractions

Currency, Symbols, Math, Arrows

Tabular Glyphs

Emojis


FAIRE Luma Sans Emojis

Luma


Luma Colophon


Luma Sans Design
Sabrina Nacmias

Luma Design
Maxime Gau

Luma Reverse Design
Sabrina Nacmias

Engineering
Sabrina Nacmias

Release
2023

Version
1.0

File Types
.OTF, .TTF, .WOFF2

Supported Languages


Albanian
Asu
Basque
Bemba
Bena
Breton
Catalan
Chiga
Colognian
Cornish
Croatian
Czech
Danish
Dutch
English
Estonian
Faroese
Filipino
Finnish
French
Friulian
Galician
Ganda
German
Gusii
Hungarian
Inari Sami
Indonesian
Irish
Italian
Jola-Fonyi
Kabuverdianu
Kalenjin
Kinyarwanda
Koyra ChiiniLatvian
Koyraboro Senni
Lithuanian
Lower Sorbian
Luo
Luxembourgish
Luyia
Machame
Makhuwa-Meetto
Makonde
Malagasy
Maltese
Manx
Marshallese
Moldavian
Morisyen
North Ndebele
Northern Sami
Norwegian Bokmål
Norwegian Nynorsk
Nyankole
Oromo
Polish
Portuguese
Quechua
Romanian
Romansh
Rombo
Rundi
Rwa
Samburu
Sango
Sangu
Scottish Gaelic
Sena
Serbian
Shambala
Shona
Slovak
Soga
Somali
Spanish
Swahili
Swedish
Swiss German
Taita
Tasawaq
Teso
Turkish
Upper Sorbian
Uzbek (Latin)
Volapük
Vunjo
Walser
Welsh
Western Frisian
Zarma
Zulu

The Link Collection

The Sprig Collection

The Luma Collection

The Palme Collection

The Octave Collection